Discovery series Never Ever Do This At Home appeals to the defiant kid in all of us

- May 1st, 2013

Norm Sousa (left) and Teddy Wilson (right)

We all suffer from warning-label fatigue.

I mean, who even reads those things any more?

Especially when it comes to everyday household items and products, most of us assume we know what’s safe and what isn’t.

But the idea of the new Canadian series Never Ever Do This At Home is to test those accepted safety rules, just to see if we’re being lied to, I suppose.

Debuting Monday, May 6 with back-to-back episodes on Discovery, Never Ever Do This At Home is the first English-language adaptation of a TV format that has proven popular in several European countries. The Canadian version is co-hosted by Teddy Wilson (pictured above right) and Norm Sousa (pictured above left).

As Wilson says in the first episode, “The one place in the world where you’re supposed to be safe and sound is actually super dangerous, if you don’t follow the rules.”

To which Sousa adds, “On this show, we’re going to break all those rules, just to see what happens.”

The setting is a beautiful old farmhouse in Southwestern Ontario. Like, what did that poor house ever do to anyone?

If there’s a victim in Never Ever Do This At Home, it’s the house. It doesn’t get to wear safety goggles like those wimps Wilson and Sousa.

Anyway, this series taps into the defiant little kid that exists within all of us. You know, the one who bristles at authority and rules, and gets tired of being told “no” to virtually anything that sounds as if it might be fun.

Don’t set off fireworks in the house,” we’re told. But what would happen if we actually did?

Fittingly, setting off fireworks in the house is the first experiment conducted in Never Ever Do This At Home. Let’s just say it’s a good thing there’s a team of firefighters close at hand.

For my viewing interests, Never Ever Do This At Home works best when it focuses on potential disasters that we all truly may have wondered about, such as the fireworks thing, or what would happen if you heated up a can of soup directly on the burner of a stove.

One of the experiments in the first episode involves the creation of a room-size, walk-in microwave oven, to see if it will thaw a gigantic frozen fish. A setup like that isn’t as interesting to me, because it’s not something any normal person ever has thought to do.

This series is more relatable when they stick those cans of soup on the stove, because there’s a far better chance a normal person at one point may have wondered, “So what really would happen if I did that?”

Never Ever Do This At Home has cameras capturing every angle of the mayhem, including highly specialized so-called “phantoms” that can record 2,650 frames per second for the ultimate in slow-motion replay.

Through its 13-episode first season, the series simultaneously focuses on the science behind what occurs, with experts in various fields brought in not only to explain what’s happening but to help maximize the destruction. This is a TV show after all.

Be advised, though: If you see a real-estate listing any time soon for a beautiful rural farmhouse that really looks great from the outside, be very, very wary.

bill.harris@sunmedia.ca

@billharris_tv

Much VJ Search is a throwback sugar rush

- April 18th, 2013

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The young men and women involved in the Much VJ Search are all so perky.

Just wait until the winner has to find an apartment in Toronto. That’s when the perkiness will disappear, my friends.

But there’s no need to put a damper on things yet. The Much VJ Search is continuing, with the finale taking place Friday, April 26, conveniently on MuchMusic.

The Much VJ Search has been around in various forms for quite a few years now. The idea is to anoint a new on-air personality for the channel, which has undergone many changes since it was such a powerful force on the Canadian TV landscape in the 1980s and early 1990s.

If you watch any episode of this year’s Much VJ Search, it’s actually nice to see that young people still can get excited about something.

It’s almost impossible to get most people in their late teens or early 20s to look up from their smart phones. So to find a group of young contestants who are openly passionate about wanting this TV gig, there’s almost a heartwarming throwback feel to it, for lack of a better term.

This year’s Much VJ Search began with a cross-Canada bus trip. Eliminated contestants were left on random street corners to fend for themselves. Okay, not really. But by the time the bus arrived in Toronto at the MuchMusic headquarters, only 12 competitors remained, and that number immediately was whittled to 10.

It certainly seems as if the youngsters picked for the Much VJ Search emerged from the same central casting agency that selected the contestants for Big Brother Canada, which currently is airing on Slice. Yes, the Big Brother Canada folks are older, but there’s an unmistakable similarity between reality-TV participants on various shows.

And that’s what the Much VJ Search is, essentially: A reality TV show that increasingly has incorporated elements from other reality TV shows.

The town-to-town touring thing had an American Idol feel to it at times, at least in the early weeks of any American Idol season.

When the top 10 contestants on the Much VJ Search settled in Toronto for the stretch run, they found out they would be living in the MuchMusic studios, dubbed Camp Much for the occasion. That, of course, brings Big Brother to mind.

And then the top 10 were divided into five groups of two, each mentored by an existing MuchMusic VJ: Damian Abraham, Phoebe Dykstra, previous Much VJ Search winner Liz Trinnear, Scott Willats and Tyrone (T-RexXx) Edwards. You know, exactly like The Voice.

The underpinnings of the music industry have been altered so dramatically since the glory days of MuchMusic, a VJ needs to know far more about pop culture than ever before. The channel now is way more of a pop-culture channel for mid-teens and tweens than a music channel for people in their 20s. That’s not a criticism, merely an observation.

But again, even if it’s pop culture and not music necessarily that we’re taking about, it’s nice to see young people excited about something, anything.

With all its perkiness, watching any random half-hour of the Much VJ Search will leave you with a sugar rush similar to eating a dozen doughnuts in one sitting.

Um, not that I’ve ever done that, but you get the idea.

Bill.harris@sunmedia.ca

@billharris_tv

Why do so many people want to punch Nikita’s Dillon Casey in the face?

- March 28th, 2013

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Dillon Casey got a tough question about his tough-guy credentials.

On the TV series Nikita, which stars Maggie Q and airs Fridays on CW, Casey plays an ex-Navy SEAL named Sean Pierce.

So Casey (pictured above) was asked, do the people who know you in real life think that sounds about right? Or when his buddies first heard he was playing an ex-Navy SEAL, did they roll their eyes?

Casey was laughing before I even finished the question.

I’m not really a tough guy by any means,” Casey admitted. “I’ve never actually been in a real fight.

I’ve had people punch me in the face. And I’ve just kind of run away. A lot of people want to punch me in the face, actually. That’s the one thing that comes naturally to the Caseys, we’re all kind of smart-asses.

That’s why I started working out so much. I was like, ‘I have a lot of people who want to punch me in the face, and I don’t like fighting back, so maybe I can put up a front that makes it look like I possibly could kick their ass.’ I had to look like I might be dangerous, but it’s all a lie.”

Of course, Casey also could have addressed the problem by being less of a smart-ass.

Naw. Where’s the fun in that?

Canadian TV fans know Casey from his previous roles on series such as Being Erica, MVP and The Best Years. Casey, who was born in the United States but raised in Canada and has dual citizenship, actually had moved to Los Angeles to pursue acting and was back in the Toronto area visiting family when he auditioned for the role in Nikita, which shoots in Toronto.

I don’t really think of it in terms of being American or Canadian,” Casey said. “I guess when I went to L.A., the goal was to get on a hot American series.

But it’s funny, in Canada everybody thinks Nikita is a Canadian series, because it shoots in Toronto. So I have to go, ‘No, no, no, it’s an American series.’ But then I catch myself sounding like I’m being defensive, as if I have something against Canada, so I’m like, ‘No, I don’t hate Canada, but it is an American series, and I didn’t come home to get work or anything.’

So eventually I just have to let it go and say, ‘Yeah, whatever, I have a cool job, it’s all good.’ ”

As for Dillon’s character on Nikita, Sean Pierce basically has been a conflicted soul – and to be honest, a bit of a candidate to snap – from the moment he appeared on screen.

Sean and the others basically are working for an illegal operation,” Casey said. “These guys, at any moment, if they decide to go left or right, they’re pretty much terrorists.

Sean has been trained to put other people’s lives ahead of his own. And now he works for this underground thing that basically he always has seen as treasonous.

He always has stuck around because of love, actually. He loves this girl Alex (played by Lyndsy Fonseca). Sean justifies it by saying he has to keep Alex safe. But he’s so frustrated.”

Sean Pierce certainly doesn’t sound like the kind of character you’d ever want to punch in the face. But Dillon Casey?

Still not a great idea. After all, he has been working out.

bill.harris@sunmedia.ca

@billharris_tv


Clicking with clones in Orphan Black is “dino-mite” for Tatiana Maslany

- March 25th, 2013

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Playing multiple characters in Orphan Black is like pretending to be a dinosaur.

Say what?

Let Tatiana Maslany explain.

For me it’s the greatest gift ever because I get to go back to when I was a kid,” said Maslany, the star of Orphan Black, which debuts Saturday, March 30 across Canada on Space.

You’re playing with your friends, and your friends are suddenly cops, and then you’re a robber, then your friends are dinosaurs and you’re a dinosaur, too. There’s no self-consciousness. There’s no judgment.

As an actor, I think that’s the biggest joy, to be able to play like a child, with that openness, and with that immediate, ‘Yeah, you know what? I’m a totally different person.’ ”

Both the differences and spooky similarities between supposedly random people frame the story in the Toronto-shot Orphan Black, which also is airing in the U.S. on BBC America.

When we first see Maslany she’s a British character named Sarah, a street-wise hustler who grew up in foster care, on the run from a lifetime of bad decisions.

But a chance encounter at a train station changes Sarah’s life forever, as she gazes directly into the eyes of someone who looks exactly like her.

Not “a lot” like her. Exactly like her.

As Orphan Black continues, we discover that maybe Sarah and this mysterious stranger aren’t the only two who look exactly alike. We’re talking clones here.

It’s in how I move around, how fast I move, how slowly I move, and it’s in how I speak, I get to work with a dialect coach,” said Maslany, asked about the nuts and bolts of playing multiple characters.

A lot of it’s right in the script. But it’s also working with the hair and makeup team, who are complete artists in their own right. They bring so much aesthetically to these characters, which gives me so much to work with.

I mean, I look at myself in the mirror and it’s a totally different person.”

Maslany, who is from Regina, Sask., said she obviously approaches her clone characters in Orphan Black from more of a human perspective than a technical perspective.

The scientific aspect of clones, I feel a little disconnected from that,” she admitted. “I see it more as an identity thing. So for me it’s less about the fact that they’re clones and more about the fact that they’re struggling with their world being fake, their world being not theirs, or them not knowing where they come from, or not knowing who their family or who their parents are.

There are trust issues, too, because you don’t have that inherent trust that you would when you grow up in a really loving family. You move differently through the world when you feel supported or when you feel you’re part of something.

I think about what a clone actually would be like. Identical twins would be more similar than clones would, because they were born in the same womb, you know? If clones grew up in different parts of the world, they would be physically identical, but similar in no other way.”

So in other words, Maslany’s performance must be incredibly varied, even though she’s playing clones.

And not that we expect Orphan Black to require it, but if the script ever calls for Tatiana Maslany to act like a dinosaur, she’s ready, dammit.

bill.harris@sunmedia.ca

@billharris_tv

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The Amazing Cult on the March to the Jeselnik Offensive; TV must-sees for this week

- February 17th, 2013

Amazing Race cast - season 22

 

Bill Harris’ TV must-sees for the week of Feb. 17:

 

1) The Amazing Race

Why you should watch: So, everybody keeps trying to tell me what a “small world” it is. So how is it that this series is entering its 22nd season (participants are pictured above) and they still keep finding exotic places to visit in different countries? Ex-NHL player Bates Battaglia is one of the competitors this time.
When: Sunday on CBS, CTV

 

2) Cult

Why you should watch: In the series debut, investigative journalist Jeff Sefton (Matt Davis) begins to delve into the dark underworld of a TV show called Cult, and its super-devoted fans. Yes, it’s one of those show-within-a-show things.

When: Tuesday on CW, CTV Two

 

3) Killing Lincoln

Why you should watch: Narrated on-screen by Tom Hanks and starring Billy Campbell in the title role, this two-hour historical drama isn’t a biopic, but rather focuses specifically on the assassination of the 16th president of the United States.

When: Sunday on National Geographic Channel

 

4) Leverage

Why you should watch: In the series finale, Nate (Timothy Hutton) takes a case linked to his son’s death. But when the job goes bad, Interpol interrogates Nate and tries to figure out not only what went wrong, but also what he really was seeking.

When: Monday on Super Channel

 

5) March to the Top

Why you should watch: A documentary about emotional and physical rehabilitation as 12 injured Canadian soldiers attempt to work together to climb the 20,305-foot Island Peak in Nepal.

When: Full-length version Sunday on Documentary Channel; one-hour version Monday on CBC

 

6) Come Date With Me

Why you should watch: An offshoot of the series Come Dine With Me, this new foray sees four eligible suitors try to out-dine, out-shine and out-date each other for the heart of one hottie. You know, just like every night in all bars.

When: Wednesday on W

 

7) The Jeselnik Offensive

Why you should watch: Comedian Anthony Jeselnik has produced some of the most fearless, or offensive, or hilarious Tweets (depending upon your point of view) that I ever have read. You may have seen him on some of those celebrity roasts. Now he gets his own series.

When: Tuesday on Comedy

 

8) Revenge

Why you should watch: The Graysons host their annual Labour Day party – my God, these people throw a lot of parties. Meanwhile, Jack and “Faux-manda” embark upon what is sure to be a stress-free honeymoon.

When: Sunday on ABC, City

 

9) The Good Wife

Why you should watch: Tensions flare when Will and Diane ask Alicia and Cary to face off against them in a mock trial. Hey, remember “Mock Trial with J. Reinhold” on Arrested Development? Now that was funny.

When: Sunday on CBS, Global

 
10) Once Upon a Time

Why you should watch: While Mr. Gold (Robert Carlyle), Emma (Jennifer Morrison) and Henry (Jared Gilmore) seek out Mr. Gold’s son in New York, Regina (Lana Parrilla) attempts to track down one of Rumplestiltskin’s most treasured possessions back in Storybrooke.

When: Sunday on ABC, CTV

 

bill.harris@sunmedia.ca

@billharris_tv