Make Canoe my Homepage

Jayma Mays understands parental discretion is advised when watching The Millers

- October 17th, 2014

Nelson Franklin, Lulu Wilson, Sean Hayes, Margo Martindale, Will Arnett, Beau Bridges, Jayma Mays and J

According to recent studies, more than half the adult population in North America is dealing with, or supporting, or in some way taking care of aging parents.

Maybe you’re just worrying about your parents as they get older and a bit goofier, which can be a burden on its own.

I would wager this is one of the reasons The Millers connects with TV audiences.

“Yes, well, my parents started going goofy at a very young age, so I was ahead of the curve on that, I have a really kooky mother,” said Jayma Mays, who plays Debbie on The Millers (pictured above on the far right of the couch, and below).

“I didn’t know there were that many people dealing with aging parents, it seems incredibly high. But on the flip side, with the economy, a lot of (adult) kids are having to live with their parents, too. So these multi-generational homes are becoming more common, I think.”

The multi-generational homes on The Millers are in flux as season two begins, Monday, Oct. 20 on CBS and then Thursday, Oct. 23 on CTV.

Will Arnett stars as Nathan, and Mays plays Nathan’s sister Debbie. Season one saw Nathan and Debbie’s parents – Carol, played by Margo Martindale, and Tom, played by Beau Bridges – split up, with mom moving in with the recently divorced Nathan and dad moving in with Debbie and her husband Adam, played by Nelson Franklin.

“In season two, mom decides to move out, so that’s a big plot change for us,” said Mays, who also is well-known to TV audiences for her roles on Glee and Heroes. “Mom is exploring her independence and freedom. And also, Sean Hayes has joined our cast as her new kind of best friend, and also Nathan’s nemesis. Sean has a two-parter there.

“For Debbie, what they’re doing this season that I love so much, they’re exploring the relationship between Debbie and Adam a little bit more. That’s great, because they’re kind of a buddy-buddy misfit couple. We’re learning more about him, like he was raised in a commune, there’s a whole episode about that.

“Despite being the weirdest ones on the show, Debbie and Adam have the most functional relationship. We’re the only ones still married, so we must be doing something right. We’re two weirdos who found each other.”

Now there’s something fit for a romantic-movie poster: Two weirdos who found each other.

“You can quote me on that,” Mays said with a laugh.

Coincidentally, some critical evaluations of The Millers have accused the characters of being too nasty. Sure, they can be nasty, in a comic sense. But given the wide scope of what’s on TV these days, I find it hard to accept that The Millers is the poster child for nastiness, if you know what I mean.

“Like, what are people comparing it to, exactly?” Mays agreed. “That does surprise me. But maybe it’s because, I like to describe the characters on our show as saying things to each other that you might think but might not actually say out loud. That’s why it’s funny, because you’re thinking it anyway.

“Personally I feel our show has a lot of heart. It reminds me of some of the sitcoms I grew up watching and loved, in that the family ultimately loves each other. And when you think about it, we actually put each other first in everything. That often is the message at the end of almost every episode.

“So maybe the people who are saying we’re nasty are only watching the middle bits and not watching the end?”

Fortunately for Jayma Mays and her cast-mates, the end is nowhere near for The Millers. Allow it to age gracefully, like fine wine and goofy parents.

Bill.harris@sunmedia.ca

@billharris_tv
Jayma Mays as Debbie

 

Saturday morning cartoons have officially died

- October 4th, 2014

Saturday morning cartoons are officially dead.

October 4 marked the death of a beloved past time almost everyone can relate to: waking up super early Saturday morning, dumping some kind of sugary concoction marked cereal into a bowl, overloading it with milk, and settling in front of a television set to watch cartoons.

The CW, the last remaining network who dedicated a block of programming on Saturday to children’s cartoons or animation, switched out their “Vortexx” portal in exchange for more live-action shows.

All of which resulted in the figurative death of cartoons, and the literal death of cartoon programming on any kind of network station, including CBS, NBC, and ABC.

Although they weren’t the first network to scrap their animated programs (Fox in 2008 and ABC in 2012), they were one of the last available options for families who didn’t purchase packages that included Nickelodeon or additional Disney channels.

The CW pointed to a multitude of reasons for the decision to scrap cartoons, from modern day DVR capabilities to animated shows becoming too niche for their overall market.

Whatever the reason network executives served reporters, the fact remains that cartoons have become as difficult to watch as ever.

The death of the children’s cartoon has been imminent for years, as more and more creators move toward making cartoons geared toward teenagers and adults.

From the obviously meant for adult programming like Archer or South Park to the questionable Family Guy and Bob’s Burgers, the idea of a safe haven for children to watch cartoons without worrying about the content has slowly been eroding.

Even shows like Adventure Time and The Regular show that appear on Adult Swim are far more lewd with innuendo than Scooby Doo ever was.

Long gone are the days of Hanna-Barbera’s Saturday morning treasures. There haven’t been any adventures in Bedrock or any slip ups from George Jetson in quite some time.

Long gone are the days of Teenage Mutant Ninja Turtles fighting crime (that didn’t include a perverse amount of violence, etched in the mind of Michael Bay). Scooby Doo and the gang aren’t solving crimes anymore, Rocky and Bullwinkle aren’t heading out into the world to see all that they can, and even Yogi Bear is resting peacefully in Jellystone Park.

This generation of kids won’t have jovial theme songs to sing with their friends as adults, reminiscing over nostalgic Saturday mornings, hunched in front of the idiot box for hours.

Nor, as the networks don’t seem to comprehend, will they wake up ridiculously early on a Saturday morning to make sure Wolverine and Scott were doing okay in whatever X-Men series was playing that year.

Live action television is great, but it doesn’t replace the fantastical worlds only cartoons can conjure up.

Instead, kids will pick up a Playstation or Xbox controller and have to find their Saturday morning entertainment inside of a console, exploring new worlds with their friends over a microphone.

There’s nothing wrong with that, but it’s not the same as sitting with a brother or sister, or even sitting by yourself with a bowl of cereal, and tuning in week after week to watch your favourite cartoon characters.

It was a different kind of immersive experience altogether. It was feeling like you could be one of Batman’s sidekicks, or feeling like you had become friends with different Pokemon masters on their journeys, because of how invested you were allowed to become in them.

It was a time honoured tradition, passed down from parent to child with each generation. It was discovering cartoons of years past during a repeat your mother or father sat down to relive excitedly, or embracing in the feeling of accomplishment when your parents discovered they enjoyed Sailor Moon just as much as you did.

Saturday morning cartoons were the last innocent world of adventure available to kids on television, and now that coveted time of week has been ripped from their grasps and replaced with mediocre live action shows geared toward families.

The world has become a little less Tigger and a little more Eeyore.

I hope children will understand what that means in twenty years time.​

Less singing, more stinging for Katharine McPhee in ‘genius’ new series Scorpion

- September 22nd, 2014

Katharine McPhee stars as Paige Dineen in SCORPION

Call it Katharine McPhee’s version of “networking.”

As one of the stars of the new series Scorpion, which debuts Monday, Sept. 22 on CBS and City, McPhee said she’s very happy to be where she is, network-wise.

“Some people, you know, are like, ‘It’s going to be a hit, it’s going to be a smash,’ whether it’s a song or a show,” McPhee said. “I do consider myself someone who is a bit more reserved and conservative when it comes to talking about those things. A bit more cautious, I guess, is a better word.

“But I am feeling very optimistic about this show (Scorpion), and I think CBS has a lot to do with that. I’m very excited to be on a show that’s on CBS, the No. 1 network (in the U.S.). I just think they’re really smart and they know how to promote a show.”

McPhee’s most recent TV experience, of course, was on the failed show Smash, which originated on NBC. Focusing on the making of a Broadway musical, Smash was very ambitious. But it just never caught on with audiences, and there were endless debates about the reasons for that.

“I won’t stop singing, actually – I will continue to be obnoxious on set with my cast-mates, singing them show tunes,” said a chuckling McPhee, who initially became well-known to TV audiences with she finished second on American Idol in 2006. “I mean, I’m always singing anyway. But I’m still working on releasing a record, although it has kind of gotten a bit unclear, with this show (Scorpion) taking control of the schedule.

“But I don’t say I’m only going to do one thing. I’d like to keep doing as many things as I possibly can. Music was just the first thing I realized I was good at.”

Speaking of being good at things, that’s kind of what drives the plot in Scorpion.

Inspired by a true story, Scorpion is a drama about eccentric genius Walter O’Brien (played by Elyes Gabel) and his team of brilliant misfits who battle high-tech threats. These geniuses wind up working under the direction of federal agent Cabe Gallo (Robert Patrick), who shares an uncomfortable history with Walter.

McPhee’s character, Paige Dineen, comes into the narrative through the side door. She’s a waitress with a young son who speaks only to her, but she never fully has connected with him, and it’s assumed he is challenged in some way. It’s only after a chance encounter with Walter and his team that Paige begins to realize her son could be a genius, way up at Walter’s level.

So Paige needs Walter and his team as translators to help her understand her son. And Walter and his team need Paige to help them interact better with the everyday world and everyday people.

“Much the same way I was thrown into this project – I landed the role on a Sunday and started shooting on a Tuesday – Paige is thrown into this new environment,” McPhee said. “Before she knows it, she has this whole world exposed to her, which she feels is access to her son in a way.

“So immediately when Walter points this out to her, she kind of wants to help. And she certainly does during the (first episode).”

McPhee said she didn’t know Scorpion was based on a real person named Walter O’Brien until the actual guy showed up on set.

“It was my second day and I saw this interesting man, this tall guy who was talking to everybody, and I was thinking, he must have something to do with the series, but it’s kind of awkward that he hasn’t come up to me to say hello, he seems a bit shy,” McPhee recalled.

“Then I was in the casting room and he finally introduced himself, he said, ‘I’m Walter, I’m the real Walter.’ I was like, ‘What?’ And he said. ‘This is based on a real person.’ And I was flipping out.”

Katherine McPhee hopes you’ll flip out for Scorpion. She thinks it’s on the right network. So she wants it to be a smash, but not a Smash, if you know what I mean.

Bill.harris@sunmedia.ca

@billharris_tv

Madam Secretary and The Good Wife turn Black-ish in Gotham; TV this week

- September 21st, 2014

Tea Leoni in Madam Secretary

Bill Harris’ TV must-sees for the week of Sept. 21

1 Gotham
Debut
The Riddler, the Penguin, Catwoman, they’re all here in their formative years, prowling the dark streets under the suspicious eye of Det. James Gordon (Ben McKenzie).
When: Monday on Fox, CTV

2 The Big Bang Theory
Eighth-season debut, back-to-back new episodes
Leonard (Johnny Galecki) and Amy (Mayim Bialik) make an unexpected trip to Arizona to fetch Sheldon (Jim Parsons), while Penny (Kaley Cuoco) interviews for a new job.
When: Monday on CBS, CTV

3 Black-ish
Debut
Dre (Anthony Anderson) is close to becoming the first African American senior VP at his firm, just as his son Andre Jr. (Marcus Scribner) declares he’s converting to Judaism.
When: Wednesday on ABC, City

4 The Blacklist
Second-season debut
Mary-Louise Parker and Krysten Ritter guest-star as Red (James Spader) faces a new threat from a man named Lord Baltimore and Liz (Megan Boone) tries to move forward.
When: Monday on NBC, Global

5 The Good Wife
Sixth-season debut
Despite pressure, Alicia (Julianna Margulies) is determined not to run for State’s Attorney. Instead, she’s beating Hillary Clinton to the punch and officially running for president. I kid.
When: Sunday on CBS, Global

6 Scorpion
Debut
Katharine McPhee plays a waitress with a supposedly challenged son. But an encounter with a group of geniuses during a crisis opens her eyes to new theories about her boy.
When: Monday on CBS, City

7 Madam Secretary
Debut
Tea Leoni (pictured above) stars as U.S. Secretary of State Elizabeth McCord. Question: Why are there so many TV shows about American government when so few Americans actually vote?
When: Sunday on CBS, Global

8 How To Get Away With Murder
Debut
Every year professor Annalise Keating (Viola Davis) selects the smartest students to work at her law firm. But she represents only the most hardened, violent criminals.
When: Thursday on ABC, CTV

9 Saving Hope
Third-season debut
After being stabbed in the heart in the season-two finale – literally, not romantically – Dr. Alex Reid (Erica Durance) has a profound experience in the liminal space.
When: Monday on CTV

10 Sleepy Hollow
Second-season debut
Abbie (Nicole Beharie) is stuck in purgatory, Ichabod (Tom Mison) is buried alive and Katrina (Katia Winter) is kidnapped by the headless horseman. Just another day in paradise.
When: Monday on Fox, Global

bill.harris@sunmedia.ca

@billharris_tv

New TV fall preview, with Canadian and American debut dates

- September 15th, 2014

Gotham cast, with Donal Logue and Ben McKenzie at front

The beginning of the fall TV season is like the beginning of any season in professional sports. Everyone feels like a winner during training camp. Optimism abounds. Then you start to play the games, and the mood changes quickly for many.

Pre-season “lying to yourself” aside, what do the new shows look like this fall … really?

The fantasy/superhero genre continues to take over television, in terms of volume at least, if not necessarily ratings. Gotham, Constantine and The Flash are the newest entries, and I have to say, they all look pretty good in their own way. With the understanding, of course, that on the lightness-to-darkness scale, it goes The Flash, Constantine, Gotham, so target each series based on your content preferences.

I’ve written before that I was impressed by the pilot episode of Gotham, which stars Ben McKenzie, Donal Logue and Jada Pinkett Smith, among many others. And having been one of the people who was rolling his eyes at the thought of a Batman prequel, impressing me was no small feat in this case. It’s pretty violent by network TV standards, though, so be forewarned. Constantine, starring Matt Ryan, is based on characters that appear in the comic series Hellblazer. The Flash, starring Grant Gustin, is a spinoff of Arrow.

Outside of the superhero/fantasy world, perhaps the most talked-about new series is Stalker. Maggie Q and Dylan McDermott star as detectives who handle stalking cases – including voyeurism, cyber harassment and romantic fixation, etc. – for the Threat Assessment Unit of the LAPD.

When creator Kevin Williamson appeared at the Television Critics Association event in Los Angeles in July, the session actually got a little stormy. Stalker is something of a polarizing series, if we lived in a world with three poles. Some people see it as shining a light on a growing problem in society, and that’s a good thing. Some people see it as a de facto glorification of stalking, a “how to” if you will, and that’s a bad thing. And some people see it as merely a TV show, and think that the people in the other two camps should take a chill pill. In any case, there will be no shortage of Stalker talkers.

There are still more new shows centred on U.S. politics and government (State of Affairs with Katherine Heigl, Madam Secretary with Tea Leoni), more time travellers (Forever), more computer geniuses (Scorpion), a notable spinoff (NCIS: New Orleans with Scott Bakula), and a notable remake (Gracepoint, based on the British series Broadchurch). The Affair, with Dominic West, Ruth Wilson, Joshua Jackson and Maura Tierney, is particularly intense in a rip-your-life-apart kind of way.

Sadly, none of the new sitcoms really jumps out at me as instant hit material, although series such as Black-ish and Cristela are demographically designed to resonate with big chunks of the U.S. population. Marry Me with Casey Wilson and Ken Marino is getting some positive buzz. And as for Selfie starring Doctor Who alumnus Karen Gillan, well, I didn’t despise it as much as many of my colleagues in the critics’ community.

First shows cancelled? For me, two candidates are Bad Judge with Kate Walsh, and yet another young-adult-relationship comedy called Manhattan Love Story.

NEW SHOWS
(Networks always can change their plans, so this is what we know as of now, please check local listings closer to broadcast)

Sept. 17
Red Band Society (Fox)
The Mysteries of Laura (NBC, CTV)

Sept. 21
Madam Secretary (CBS, Global)

Sept. 22
Gotham (Fox, CTV)
Scorpion (CBS, City)
Forever (ABC, CTV)

Sept. 23
NCIS: New Orleans (CBS, Global)

Sept. 24
Black-ish (ABC, City)

Sept. 25
How To Get Away With Murder (ABC, CTV)

Sept. 28
Canada’s Smartest Person (CBC)

Sept. 30
Selfie (ABC)
Manhattan Love Story (ABC)
The Honourable Woman (CBC)

Oct. 1
Stalker (CBS, Global)

Oct. 2
Gracepoint (Fox, Global)
Bad Judge (NBC, Oct. 3 on Global)
A to Z (NBC, Oct. 3 on Global)

Oct. 4
Survivor’s Remorse (Super Channel)

Oct. 5
Mulaney (Fox, Global)
CBC Selects: Janet King (CBC)

Oct. 6
Strange Empire (CBC)

Oct. 7
The Flash (CW, CTV)

Oct. 10
Cristela (ABC, CHCH)

Oct. 12
The Affair (TMN/MC)

Oct. 13
Jane the Virgin (CW)

Oct. 14
Marry Me (NBC, Oct. 17 on Global)

Oct. 17
Foo Fighters: Sonic Highways (HBO Canada)

Oct. 24
Constantine (NBC, Global)

Oct. 30
The McCarthys (CBS, CTV)

Nov. 2
Olive Kitteridge (HBO Canada)

Nov. 17
State of Affairs (NBC, Global)

Nov. 25
Ascension (CBC)

Dec. 12
Marco Polo (Netflix)

bill.harris@sunmedia.ca

@billharris_tv