The more the Mary-er (or “marry her?”), says Downton Abbey’s Michelle Dockery

- January 3rd, 2013

Maggie Smith (left) and Michelle Dockery

Michelle Dockery was asked why, seemingly against all odds, Britain’s Downton Abbey has become a pop-culture phenomenon in North America.

“It’s really difficult to pinpoint why,” said Dockery, who plays Lady Mary Crawley. “You tell me.”

Well, I’m not sure I have a better answer than you do, Ms. Dockery. But it’s a good thing for both of us, don’t you think?

Downton Abbey returns to North American TV with its third season, starting Sunday, Jan. 6 on most PBS stations. Set early in the 20th century, the lush period drama follows an aristocratic British family and the servants in their massive house, known as Downton Abbey.

As season three begins, it’s the spring of 1920. What later would become known as World War I finally is over and the long-awaited wedding of Lady Mary and Matthew (Dan Stevens) is nearing.

But as one would expect, all is not tranquil at Downton Abbey, as world-altering social changes, romantic intrigues and personal crises pulsate through the majestic English country estate.

What of poor, wrongly imprisoned Mr. Bates, played by Brendan Coyle? Will the scheming Thomas (Robert James-Collier) be rewarded or punished for his continued malevolence? And how will a visit by Lady Mary’s American grandmother, played by Shirley MacLaine, shake things up?

It certainly isn’t usual for North American audiences to get caught up in a British series such as this. But Downton Abbey somehow has hit upon the right mix of eye candy, class tension, romance and quality story-telling to grab the attention of a continent otherwise obsessed with the likes of Lindsay Lohan and Honey Boo Boo.

“But it feels like kind of a steady process,” said Dockery, who was nominated for an Emmy Award in 2012 and is pictured at right in the above photo, with Maggie Smith at left. “The first (season), people were just kind of catching on. It was the second (season) that seemed to really take off over here.

“So it feels like it has been a steady progression. At home (in Britain) it was quite an explosion right away, millions of people tuned in for the very first episode. And it has just grown from there, it’s wonderful.”

In many ways the fate of Lady Mary has been at the centre of Downton Abbey‘s story. So from the vantage point of the 21st century, does Dockery view Lady Mary as a sympathetic character, or as something of a brat?

“I think Mary started out as a bit of a brat,” Dockery said. “I mean, she was certainly far colder in the beginning.

“Initially I thought she would be the Kristin Scott Thomas type of character in Gosford Park, when I read those first few scripts. And then, you know, I realized she actually becomes far more sympathetic and sensitive, and I’ve really enjoyed that journey, which I wasn’t expecting.”

Not that Lady Mary becomes Mother Teresa or anything. Lady Mary certainly is not interested in anything resembling a diminished lifestyle, even as significant factors threaten the Crawley family’s stature in season three (watch for a Canadian connection in that regard!).

“Every year it gets better, actually,” Dockery said of Downton Abbey. “This year is even better than the last.”

Literally, the world is watching.

bill.harris@sunmedia.ca

@billharris_tv

Yannick Bisson and Murdoch Mysteries “take flight” at their new CBC home

- November 21st, 2012

Yannick Bisson

New century. New network.

New Murdoch Mysteries?

Yes and no, according to lead actor Yannick Bisson (pictured above).

A sixth season of Murdoch Mysteries makes its debut early in the new year, on Jan. 7, on its new network, CBC. The Canadian series previously existed for five seasons on Citytv.

As it turned out, the previous season ended as the clock struck midnight and a new century – the 1900s – was born.

“It’s almost like it was pre-ordained somehow,” said Bisson, who plays William Murdoch, an innovative police detective with an eye toward the future.

“New century, new broadcaster, it really did fall that way. Man, nobody is happier than me.”

Bisson was asked if fans of Murdoch Mysteries are going to notice a difference from broadcaster to broadcaster, other than merely having to click to a different channel. Is the transition intended to be seamless, or do the creators want viewers to perceive that something has changed?

“It’s actually not really either in terminology for me,” Bisson said. “Really what we’re doing is continuing to give the audience what has been working. They love the show the way it is. We’ve given them new, more, extra of what they’ve liked so far. And to be honest it has been business as usual. It hasn’t been different in content or approach at all.

“But having a home (on CBC), having more people talking about the show, having a consistent time slot, having publicity, getting ancillary publicity on different platforms, knowing that we’re wanted, maybe that has changed us a fair bit.

“Confidence is such a big part of this. So definitely, I would say that aspect has changed.”

As far as story lines go, Murdoch Mysteries always has existed in a fortuitous time period, because so much of what we take for granted today was invented or conceived in the late 1800s and early 1900s.

“Now with the new century we’re able to talk about things like flight,” Bisson said. “So there is an aspect of that coming up in season six. If you can picture the Murdoch character experiencing flight, that gives you an idea. It’s going to be great.

“We also have people who come into historical prominence later on, and we always take a bit of creative licence with stuff like this. But we’re bringing Winston Churchill to the show, with all of his young man’s sort of foibles (Churchill is portrayed by Thomas Howes, who played William on Downton Abbey).

“Some of it is really trivial, little things like sticky tape. Stupid little things like that, but it puts a smile on your face. And at the end of the day, we’re entertained just as much as the viewer by this stuff. I absolutely love doing the show for those little moments. ‘Canned meat? Who are you trying to kid? That will never take off!’ ”

As long as Murdoch Mysteries continues to take off – literally and figuratively – Yannick Bisson will have his head in the clouds.

bill.harris@sunmedia.ca

@billharris_tv

Going to the Liu: TCA tour day 9

- July 29th, 2012

Lucy_Liu_101969_SHOT_19_0022bc

Television Critics Association tour, Day 9. Network: CBS.

ELEMENTARY SCHOOL: Have to admit, when I first heard the idea for Elementary, I was less than intrigued. Well, let’s be more blunt. I thought it would be brutal.

First of all, the two worst terms when describing TV shows clearly are, “A modern take on … ” and “a re-imagining of … ” When you hear those phrases, even if the source material is Sherlock Holmes, usually you should head for the hills, like Kevin Costner’s character did in Hatfields & McCoys.

And second, Lucy Liu (pictured above) as Dr. Watson? Sort of like casting Downton Abbey’s Hugh Bonneville as one of Charlie’s Angels, right?

But you know what? I watched the Elementary pilot. Not only is it not brutal, it actually is pretty darn good. Who knows where the series goes, as good pilots don’t always make good series. But it passed the first test, so to speak.

And despite many film and TV adaptations to the contrary, Dr. Watson isn’t necessarily supposed to be comic relief, according to Liu.

“Historically it has been a bit skewed,” Liu said. “If you read the actual literature, Watson is not really comedic. He’s someone who is incredibly observant and all of the stories come out of what he sees and what he experiences.

“The foot in the bucket, that kind of Watson, I think that happened because in entertainment, they wanted him to be a sidekick. In this case I don’t think that’s the direction we’re going. But ask me in six episodes. If I have a foot in a bucket, then we’ll have a discussion.”

Perhaps watching Elementary will be on my Bucket List after all.

bill.harris@sunmedia.ca

@billharris_tv

 

Hugh Bonneville and I, just two Downton aristocrats hanging out: TCA day 1

- July 22nd, 2012

Hugh Bonneville, Bill Harris

Day 1 at the Television Critics Association tour. Network: PBS.

HIGH POINT: The cast of Downton Abbey has usually cynical critics eating out of their hands. It has been a long time since I’ve seen a room full of reporters that excited about anything. The capper was when Hugh Bonneville revealed his “FREE BATES” T-shirt. That’s Bonneville, who plays Robert Crawley, pictured above with another member of the nobility (uh, me).

LONE JUSTICE: Kenneth Branagh of Wallander is intelligent and entertaining in a “cool professor from your last year of college” kind of way. But why does he always appear at TCA by himself? No cast-mates, nobody. Let’s get Kenneth a friend, okay?

SOUND ACADEMY: Call The Midwife is another high-quality British series, but I’m not sure I can take the persistent and consistent screams of women in labour. Could cause a rise in midwifery, but a substantially lower birth rate.

bill.harris@sunmedia.ca

@billharris_tv