Hannibal Lecter is no Joe Carroll, but is that a good thing? Ask The Following

- January 21st, 2013

James Purefoy and Kevin Bacon

PASADENA, Calif. – The Following has been put in a bit of an uncomfortable situation because of what it’s following.

A consistent line of questioning at the recent Television Critics Association tour centred upon the relationship, if any, between TV and movie violence, and the percentage of people prone to committing violent acts in real life.

The violent acts that have plagued society in the past few months have been well documented, so there is no need to detail them here.

Specifically with regard to The Following, which debuts Monday, Jan. 21 on Fox and CTV, I have to tell you what my honest first reaction was when I watched it:

Sigh, ANOTHER show about killers. More specifically, another show about serial killers.

I almost felt guilty watching it.

That’s not to say The Following isn’t reasonably well done. It is. And with Kevin Bacon (above right) and James Purefoy (above left) leading the cast, it’s the biggest-buzz debut of TV’s “new fall,” a.k.a., January.

Bacon plays former FBI agent Ryan Hardy, who is called back to the bureau because of a serial killer he helped put behind bars. The killer’s name is Joe Carroll, played by Purefoy.

In addition to their “good guy versus bad guy” history, Ryan and Joe have a personal history as well. The latter seems to have made it his life’s mission to taunt and torment the former.

Ryan soon discovers that Joe has inspired an ever-growing cult of followers who are more than willing to do his bidding, either directly or philosophically.

“But these are people who don’t need the slightest bit of convincing to do the things that they do,” Purefoy explained.

“These are people who have joined up with (Joe) because he offers them a non-judgmental and a safe place to enact the things that they want to do. So these aren’t people who were forced to join a cult. These are absolutely willing accomplices.

“I’ve been thinking a lot about this and about The Silence of The Lambs, and that actually as we shoot the show more and more, I’m more and more convinced of how little Hannibal Lecter‘s vision … how unimpressive it is. Like, I mean, really, he could only see up to the next meal.”

To which Bacon added, “He (Hannibal Lecter) is no Joe Carroll.”

Amusing quips aside, the fog of violence in The Following is very thick. The show doesn’t break any of network TV’s content rules, obviously, but situationally, it can weigh on you.

To be clear, I am absolutely not pointing my finger at The Following and making it the poster boy for TV violence.

But an interesting question moving forward is whether TV audiences will continue to embrace shows that suggest or depict significant levels of violence, or if there’s any prospect at all of viewer fatigue.

bill.harris@sunmedia.ca

@billharris_tv

Family Guy – or should we say Yug Ylimaf – backs into its 200th episode

- November 8th, 2012

FamilyGuy200thLogo_StewieHead_final

The 200th episode of Family Guy brings new meaning to the term “born again.”

Airing Sunday, Nov. 11 on Fox and Global, the title of Family Guy’s 200th episode – Yug Ylimaf, which is Family Guy spelled backwards – is a good indication of what the story is about.

The bigger question for Seth MacFarlane’s long-running animated series, of course, is if the comedy on Family Guy still is moving forward.

Family Guy is the series on which MacFarlane has built his entertainment empire. Debuting in 1999, Family Guy unofficially teamed with South Park (which debuted in 1997) to take the irreverent humour of The Simpsons and push it to extremes.

I have been pleasantly surprised by the staying power of Family Guy and South Park through the years. I thought initially that the pressure of continually testing the limits of taste and acceptable content might prove to be a trap for both shows.

But comedy is simple in the sense that, you either laugh or you don’t. And I have to say, I laughed quite a few times while watching Family Guy’s 200th episode, while continuing to marvel at what they can get away with these days on network TV, especially when it’s masked in a cartoon.

In Yug Ylimaf, Brian wants to impress the women he has been picking up in bars, so he secretly starts to use Stewie’s time machine. While Stewie is sleeping late at night, Brian sneaks his dates into the machine to take them on fantastical trips.

Keep your ears open for a couple of eyebrow-raising lines – one about a segregated restaurant, one about a 16th birthday – that had me saying, “I can’t believe I just heard that.”

Brian panics when he realizes the time machine has a “years travelled” odometer, which would expose his chicanery to Stewie. But when Brian fiddles with the odometer, it’s time itself that starts to go backwards.

This allows references to some famous Family Guy scenes of the past, not to mention a heaping helping of the straight-forward gross humour for which the series is known (Stewie is a baby; think of what that might mean).

Can Brian and Stewie get time moving in its normal, forward direction before Stewie is “unborn?”

Speaking of being haunted by the past, it was in the summer of 2009 during a party at the Television Critics Association tour in Los Angeles that MacFarlane and I had a conversation about the future of Family Guy.

“I don’t want to go 20 years like The Simpsons,” MacFarlane insisted at the time. “Ideally we would go another couple of years and then wrap it up.”

Hmmm, well, clearly that hasn’t happened. To mark the 200th-episode milestone, a half-hour behind-the-scenes special titled The End of the World as We Know It will air immediately following the Yug Ylimaf episode, making for a one-hour extravaganza.

“Every show starts to suck after a certain point,” MacFarlane observed back in 2009. “And we could already be there for all I know, I don’t know.”

Nonetheless, 200 episodes is a lot of episodes, with or without an operational time machine.

bill.harris@sunmedia.ca

@billharris_tv

Match Game? A Darrin Rose by any other name is Jason Sudeikis

- October 13th, 2012

Darrin Rosejs2

The first match that struck me on the new Canadian version of Match Game was how much host Darrin Rose looks like Saturday Night Live’s Jason Sudeikis. Check out the above photos, Rose followed by Sudeikis. I mean, seriously.

Moving past that, this 21st-century Match Game – which airs Monday-to-Friday on the Comedy Network, starting Monday, Oct. 15 – brought to mind a line I heard recently on the season premiere of the Fox/Citytv sitcom Raising Hope.

Sabrina (Shannon Woodward) was pointing out to her mom (Melanie Griffith) what a bad parent she was. Sabrina relayed the story of being left alone at age 12 for a weekend while mom flew to Las Vegas with her boyfriend.

That caused mom to bellow, “Hey, you don’t know Richard Dawson because he’s dead now, but he used to be a BIG DEAL.”

Dawson was, in fact, a big deal on the original version of Match Game in the early 1970s. Arguably, that was TV’s second golden age of game shows, the first having occurred in the 1950s.

The evidence all around us suggests we currently are not in a golden age of game shows. That means this new Match Game is different and exposed, which can be good or not so good.

Having seen an episode, I just hope that moving forward, everyone calms down a little bit. There are people here with great senses of humour, but you can’t force wacky.

Also, the panelists – the permanent ones being Debra DiGiovanni and Sean Cullen, with a rotating cast of four others per show – always should remember that you consistently have to try, really try, to come up with matches, rather than just going for laughs. The humour comes naturally when both contestants and panelists are giving it their best effort.

That’s something the late great Richard Dawson knew.

bill.harris@sunmedia.ca

@billharris_tv

From Made in Jersey to maid in Jersey; fall TV’s winners and losers thus far

- October 12th, 2012

Janet Montgomery of Made in Jersey

It’s pretty early to be analyzing the winners and losers of the fall TV season. Some of the biggest new shows just debuted this week, with still more to come.

But snap judgments are fun, so why the hell not?

Please note that any mention of ratings pertains to U.S. ratings. While the performance of these series in Canada obviously is very important to CTV, Citytv and Global, the survival or cancelation of American shows is determined only by numbers in the United States.

WINNERS SO FAR

Revolution (NBC, Citytv)
This has been a non-electrified bolt of lightning and was rewarded when NBC announced last week that it was committing to a full season. These “Lost wannabe” types of series have not done well in recent years, so there must be something revolutionary about Revolution.

Go On (NBC, Global)
I’m still debating how funny this new Matthew Perry project actually is. It’s charming enough, though, and NBC has committed to a full season.

The New Normal (NBC, CTV)
One of the biggest-buzz new sitcoms, individual episodes have careened from hilarious (Obama Mama) to uncomfortable (Nanagasm) to suffocatingly preachy (Bryanzilla). Nonetheless, this got a full-season order from NBC, too.

CONDITIONAL WINNERS

The Mindy Project (Fox, Citytv)
The other biggest-buzz new sitcom, I was a bit surprised when, earlier this week, Fox picked it up for a full season so quickly. The numbers aren’t great, but sometimes you gotta dance with who you heavily promoted.

Ben and Kate (Fox, Citytv)
I thought Nat Faxon would be carrying this show, but Dakota Johnson was really funny in the episode titled Bad Cop/Bad Cop. Again, the numbers are mediocre at best, and it was a surprising full-season pickup by Fox so early. But I’m happy about it.

Vegas (CBS, Global)
Often retro is no-go for viewers, but the numbers for this 1960s-set project starring Dennis Quaid and Michael Chiklis have held up nicely. The audience skews old, though, which doesn’t impress advertisers.

Elementary (CBS, Global)
As a modern Sherlock Holmes, Jonny Lee Miller needs to dial down his performance just a little bit. But the ratings have been acceptable, even though this is yet another older-skewing show for CBS.

LOSERS SO FAR

Made in Jersey (CBS, Global)
Star Janet Montgomery (pictured above) just applied to be a “maid in Jersey.” Okay, bad joke. This is the first show to get yanked from a network sked.

The Mob Doctor (Fox, CTV)
This series is getting roughed up on Monday nights in the States (CTV is airing it on Sundays). Many observers expect it to get whacked soon.

Partners (CBS, Citytv)
These dudes aren’t faring any better on Mondays. Moving Two and a Half Men to Thursdays has hurt the CBS Monday comedy block more that most people expected.

666 Park Avenue (ABC, Citytv)
The previous plum timeslot of Sundays at 10 p.m. has become problematic for ABC. Last season Pan Am couldn’t fly. Now this series appears to be trapped in the basement with the ghosts.

bill.harris@sunmedia.ca

@billharris_tv

Raising Hope becomes “family affair” with Griffith, Hedren – but no Mr. French

- October 1st, 2012

Tippi Hedren, Cloris Leachman

Raising Hope always has been a generational comedy. But it reaches a whole new level with the addition of a famous real-life mother-and-daughter team in season three, which begins Tuesday, Oct. 2 on Fox and Citytv.

Melanie Griffith and her real-life mom Tippi Hedren guest-star in the season-three premiere episode, which is titled Not Indecent, But Not Quite Decent Enough Proposal.

Griffith, who will be in a handful of episodes as the season progresses, is playing Tamara, the mom of Sabrina (Shannon Woodward). Hedren guest-stars as Nana, the grandmother of Sabrina, a.k.a., the mom of Griffith’s character. But Nana probably won’t be appearing in too many more episodes moving forward, since as season three begins she’s, well, dead.

Yes, the above photo, with Hedren at left and Cloris Leachman as Maw Maw at right, is exactly what it looks like.

In fact, Nana’s last will and testament – delivered by Nana herself, in a high-tech video she recorded before she died – could wind up having a big impact on the romantic future of Sabrina and Jimmy (Lucas Neff).

Meanwhile, listen for a hilarious line by Virginia (Martha Plimpton) about a certain big-time TV celebrity who is known by only one name.

bill.harris@sunmedia.ca

@billharris_tv