The Voice: My embarrassing personal awakening

- December 16th, 2012

Christina Aguilera 4

Judge not lest you be judged? Hardly.

Perhaps the best way to gauge what reality-competition television shows do for the careers of their hosts is to analyze it on a really personal level.

The hottest reality-competition series right now is The Voice (NBC, CTV), and I’ll be 100%, embarrassingly honest about it.

The background: I’m a big music person historically, but because my job focus these days is TV rather than music, my musical world is limited to the music I prefer – like any average fan – rather than keeping up on the entire industry. So …

1) I had never heard of Blake Shelton before he was a judge on The Voice. Recently during the Grammy Nominations Concert Live broadcast (CBS, Global), Shelton got nominated for something, and I was like, “Hey, the guy from The Voice.”

2) While I had heard of the band Maroon 5, I did not know Adam Levine’s name, and I could not have picked him out of a police lineup before he was a judge on The Voice. Now, when I see him performing, as I did on the Grammy noms show, or in a recurring role on American Horror Story: Asylum (FX Canada), I think, “Hey, it’s that Moves Like Jagger guy from The Voice.”

3) I vaguely was aware of Ce Lo Green before The Voice, but I initially thought his performing name was Gnarls Barkley. Turns out that was a musical duo, of which Green was one-half (the shorter half, I presume). But I knew the 2006 song Crazy, which was everywhere.

4) Of course, I was well aware of Christina Aguilera (pictured above) long before The Voice. But admittedly, that had more to do with her, um, “assets” than her music. To this day, I don’t think I could name one of her songs. Nothing against her, it’s just not my genre.

The wider point being, with the music business essentially in the toilet, there is definite value for Shelton, Levine, Green and Aguilera – and their cohorts on other reality shows – to appear on these projects, at least for a year or two.

It keeps their names “out there.”

There isn’t a direct impact on CDs any more, with sales of actual physical CDs dwindling every day. But when you’re talking about touring, or appearances on other TV shows or in movies, either as themselves or as actors, any added “face time” with the public provides a leg up on the competition for a piece of an ever-shrinking pie.

Being on a high-profile reality show sends the message that you’re “relevant” – not necessarily to people who keenly follow modern music, but more to the vast majority of the population that follows music only casually or peripherally.

You know, people like me.

I know who Blake Shelton and Adam Levine and Ce Lo Green are now. And Christina Aguilera, you just keep doin’ whatever it is you do.

bill.harris@sunmedia.ca

@billharris_tv

Jessica Lange doesn’t think her American Horror Story characters are creepy. Huh?

- December 7th, 2012

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In a conference call with American Horror Story’s Jessica Lange today, I asked her if she could recall the “a-ha moment” when she realized she could play creepy really, really well.

“I don’t think of any of my characters as creepy,” Lange said.

Say what?

“They might be misguided. They might be crazy. But definitely not creepy.”

Lange, of course, currently is playing Sister Jude in the second season of Ryan Murphy’s American Horror Story, the full title of which is American Horror Story: Asylum (FX, FX Canada).

In season one, which told an entirely different self-contained story, Lange played – I’m sorry, Jessica, it’s true – a creepy neighbour named Constance. Lange also will be back for season three, whatever that might entail.

“There’s nothing that appeals to me more than playing madness,” Lange continued. “And that I do know how to dip into. But that’s quite different than creepy.

“I’m sorry,” Lange added with a chuckle. “I don’t find anything creepy about these characters.”

Uh, you really need to go back and watch them, Jessica Lange.

bill.harris@sunmedia.ca

@billharris_tv

Sarah Paulson seeks “Asylum” from cop procedurals in American Horror Story

- November 16th, 2012

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As one of the main characters in American Horror Story, Sarah Paulson is about as far away from a police procedural as an actress can get.

“I’ve very grateful I’m not walking around a police department saying, ‘Hey, the perp escaped,’ ” Paulson said.

“Not that those shows aren’t great in their own way. But for me as an actress, they’re not stimulating in the same way. I love watching them, but doing them, I don’t know if that would be fulfilling.

“With this – because it’s Ryan (Murphy, creator) – I’m not just playing your typical television woman.”

There’s nothing typical about American Horror Story, which airs Wednesday nights on FX Canada. In season two – the full title of which is American Horror Story: Asylum – Paulson plays Lana Winters, a newspaper reporter in 1964 for whom things have gone horribly wrong. (SPOILER ALERT: Plot points are about to be discussed.)

If you’ve been watching, you know that Lana has been held against her will at a mental-health facility for the criminally insane, run by Sister Jude (Jessica Lange). Lana’s “official” crime was being a lesbian – it’s 1964, remember – but it actually was her desire to snoop around the institution that put her in harm’s way.

And now Lana is being held against her will again, a victim of the duplicitous Dr. Thredson (Zachary Quinto).

“There’s nothing more terrifying than a person being held somewhere against their will, having done absolutely nothing wrong,” said Paulson, who earlier this year was nominated for an Emmy Award for her role in the HBO made-for-TV movie Game Change.

“To me, that’s the terror of this season (of American Horror Story). There’s nothing they can do, because one person has all the power.

“There was a time in this country when that was the reality of these institutions. But I’m not saying all of them were run by sadistic nuns.”

Of course, American Horror Story has tossed just about anything it can get its hands on into the mix this season, from exorcisms to aliens and everything in between. It’s that combination of realism and the possibility of other worlds and other existences that keeps viewers simultaneously intrigued and, to be blunt, uncomfortable.

Season one of American Horror Story – in which Paulson played a psychic – largely was about ghosts. But as Paulson astutely pointed out, the basic setup allowed viewers an “out” if they were looking for one, because they could say, “Sure, this is scary, but I don’t believe in ghosts.”

In season two, however, even if you don’t believe in spaceships or possessed souls, you still can accept and lament Lana’s life-threatening predicament. (My initial review when season two debuted can be found here.)

You know the old cliche that “anything can happen?” Well, this is one of the few shows for which it literally is true.

And even better, Sarah Paulson doesn’t have to respond to, “Detective, get in here!” For her, that might be the scariest plot of all.

“Exactly, although that may be in my future someday,” Paulson said. “But I’m grateful it’s not what I’m doing right now.

“You know, I got to start (this season) in those great ’60s outfits, and by the time it’s over, it’s going to be a whole other situation.

“The great thing I can say with confidence is, you ain’t seen nothin’ yet.”

Gulp.

bill.harris@sunmedia.ca

@billharris_tv

Olympics? When did those start? Emerging from the Television Critics Association tour bubble

- August 5th, 2012

Russell Brand scrum

Charlie Sheen scrum

TCA TLC: Random thoughts at the conclusion of the Summer 2012 Television Critics Association tour in Beverly Hills, Calif.  See if you can spot me in the scrums pictured above with Russell Brand of Brand X with Russell Brand (FX, FX Canada) and Charlie Sheen of Anger Management (FX, CTV) – kind of a “Where’s Dumbo” thing.

Person I never anticipated I’d speak to: Sarah Palin poolside at the Beverly Hilton. Her husband Todd is in a reality show about snowmobile racers. Just kidding, it’s called Stars Earn Stripes (NBC, Global).

Most bizarre panel session: Kelsey Grammer of Boss (Starz, Super Channel) takes a non-emergency, personal phone call from his wife for 90 seconds as an entire ballroom full of journalists waits for him.

Most electric session: Normally blase critics genuinely were excited to see the stars of Downton Abbey (PBS, Vision TV). Hugh Bonneville’s “Free Bates” T-shirt was the topper.

Best interview in a post-panel scrum: Sophia Bush of Partners (CBS, Citytv). Intelligent, thoughtful, fun, swears like a sailor, will talk about anything.

Best interview at a party: Let’s call it a three-way tie between Elisha Cuthbert of Happy Endings (ABC, Citytv), Matt LeBlanc of Episodes (Showtime, The Movie Network, Movie Central) and Kiefer Sutherland of Touch (Fox, Global).

Misplaced arrogance: A dude in a tank top and a trucker cap calls critics “ignorant” for daring not to take his TV series 100% seriously. The series is called Finding Bigfoot (Animal Planet).

Nice girl: Canadian Emily VanCamp of Revenge (ABC, Citytv) sends word to reporters before our set visit that she isn’t feeling well, so please don’t be offended if she doesn’t shake hands. Awww. You could tell she was under the weather by her crackly voice, but she patiently and pleasantly answered questions for a long time.

Coolest party: The folks behind Copper (Showcase, BBC America) – filmed in Toronto, set in 1860s New York – turned a West Hollywood restaurant into an 1860s whore house, complete with come-hither actresses-as-hookers in the balcony. Saw a picture afterward of what the restaurant normally looks like and it was virtually unrecognizable.

Sad moment: Just before I interviewed Michael C. Hall of Dexter (Showtime, The Movie Network, Movie Central), I realized I was very near the exact spot in the hotel where, one year ago, I interviewed Davy Jones of the Monkees. Jones passed away last February.

Best individual panel performance: Toronto native Stephen Amell of Arrow (CW, CTV Two). Charming, engaging, speaks in sound-bytes, told stories people could use. Good-looking show, good-looking guy. Star in the making.

Panel at which the reporters were most prickly: The panel for The Newsroom (HBO, HBO Canada) with Aaron Sorkin and Jeff Daniels. Apparently a high percentage of TCA members take this series very seriously and very personally.

Panel at which the main panelist was most prickly: Showbiz mogul David Geffen, who supposedly was there to “promote” the PBS documentary Inventing David Geffen, would have preferred to be anywhere else on earth. He seemed completely bored, even exasperated, with the subject matter, namely himself.

Panel at which one of many panelists was most prickly: At the panel for Dancing with the Stars: All-Stars (ABC, CTV), Bristol Palin (Sarah and Todd’s daughter) was equal parts bold and cold. Keeping politics out of it, when I spoke with Sarah and Todd Palin (pictured below at the NBC party), there seemed to be genuine warmth there. They were cordial and pleasant and friendly. I actually found Bristol to be icy.

Breaking news: Fox president Kevin Reilly announces Mariah Carey is joining American Idol (Fox, CTV) as a judge, then gets her on the phone immediately to give a statement to reporters.

Right place, right time: Being seated beside Whitney Cummings of Whitney (NBC, CTV) and Love You, Mean It (E!) when she first found out about the Kristen Stewart cheating scandal. Cummings gleefully exclaimed, “That whore!” (Not to be confused with the whores at the Copper party.)

Coincidental “in the TCA bubble” benefit: I was completely, blissfully oblivious to the first half of the Olympics. Checked in just in time to see Usain Bolt, though. That dude is Usain in the membrane.

bill.harris@sunmedia.ca

@billharris_tv

Todd and Sarah Palin

 

 

 

 

 

 

 

 

 

Will traditional TV Vuguru this day? TCA tour, day 11

- July 31st, 2012

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Television Critics Association tour, Day 11.

BEVERLY HILLS, Calif. – How do you Vuguru? Well, Vuguru to you, too.

Geez, I can’t really find a play-on-words that works, or even makes sense.

But time waits for no man, and it formally was announced on Tuesday that Rogers Media is partnering with Vuguru – a studio that produces digital content – to deliver the second season of a digital series called The Booth at the End through Rogers’ various digital initiatives (Citytv.com, Rogers Anyplace TV and the Citytv Video App).

Wait … there was a first season?

Joking aside, the five-part second season will be available on the same days and dates as Hulu in the United States, beginning Aug. 6.

In addition, FX Canada will start airing the first season of The Booth at the End on Aug. 9.

The Booth at the End centres on a mysterious man (played by Xander Berkeley) who sits in a booth at the end of a diner. In each episode, various characters come to him with unattainable requests. He can help, but at a price.

In season two the man returns, but to a booth at a different diner. He now has a wish of his own and is given his own difficult task to complete.

The second season also will feature actor Dayton Callie (pictured above), who is best known for Sons of Anarchy.

There definitely was more of an online-content presence at the Television Critics Association tour this summer. Certainly that was notable to FX president John Landgraf, who strongly suggested that if online stuff is going to be part of TCA, the media should start demanding that the internet folks supply apples-to-apples ratings comparisons. Landgraf dismissed all that bunk about “unique hits,” which might mean someone clicked on something for seven seconds and then clicked away.

Who knows where all this leads?

Eventually maybe Vuguru will be the Viagra that addresses the TV industry’s erectile dysfunction.

There it is, finally, nailed it.

bill.harris@sunmedia.ca

@billharris_tv