Family Guy – or should we say Yug Ylimaf – backs into its 200th episode

- November 8th, 2012

FamilyGuy200thLogo_StewieHead_final

The 200th episode of Family Guy brings new meaning to the term “born again.”

Airing Sunday, Nov. 11 on Fox and Global, the title of Family Guy’s 200th episode – Yug Ylimaf, which is Family Guy spelled backwards – is a good indication of what the story is about.

The bigger question for Seth MacFarlane’s long-running animated series, of course, is if the comedy on Family Guy still is moving forward.

Family Guy is the series on which MacFarlane has built his entertainment empire. Debuting in 1999, Family Guy unofficially teamed with South Park (which debuted in 1997) to take the irreverent humour of The Simpsons and push it to extremes.

I have been pleasantly surprised by the staying power of Family Guy and South Park through the years. I thought initially that the pressure of continually testing the limits of taste and acceptable content might prove to be a trap for both shows.

But comedy is simple in the sense that, you either laugh or you don’t. And I have to say, I laughed quite a few times while watching Family Guy’s 200th episode, while continuing to marvel at what they can get away with these days on network TV, especially when it’s masked in a cartoon.

In Yug Ylimaf, Brian wants to impress the women he has been picking up in bars, so he secretly starts to use Stewie’s time machine. While Stewie is sleeping late at night, Brian sneaks his dates into the machine to take them on fantastical trips.

Keep your ears open for a couple of eyebrow-raising lines – one about a segregated restaurant, one about a 16th birthday – that had me saying, “I can’t believe I just heard that.”

Brian panics when he realizes the time machine has a “years travelled” odometer, which would expose his chicanery to Stewie. But when Brian fiddles with the odometer, it’s time itself that starts to go backwards.

This allows references to some famous Family Guy scenes of the past, not to mention a heaping helping of the straight-forward gross humour for which the series is known (Stewie is a baby; think of what that might mean).

Can Brian and Stewie get time moving in its normal, forward direction before Stewie is “unborn?”

Speaking of being haunted by the past, it was in the summer of 2009 during a party at the Television Critics Association tour in Los Angeles that MacFarlane and I had a conversation about the future of Family Guy.

“I don’t want to go 20 years like The Simpsons,” MacFarlane insisted at the time. “Ideally we would go another couple of years and then wrap it up.”

Hmmm, well, clearly that hasn’t happened. To mark the 200th-episode milestone, a half-hour behind-the-scenes special titled The End of the World as We Know It will air immediately following the Yug Ylimaf episode, making for a one-hour extravaganza.

“Every show starts to suck after a certain point,” MacFarlane observed back in 2009. “And we could already be there for all I know, I don’t know.”

Nonetheless, 200 episodes is a lot of episodes, with or without an operational time machine.

bill.harris@sunmedia.ca

@billharris_tv

Manage your expectations when watching Saturday Night Live

- September 16th, 2012

seth macfarlane and seth meyers

I don’t expect Saturday Night Live to be good.

I guess that’s the difference between me and other people.

SNL is a live TV show, pre-taped bits notwithstanding. I expect it to be largely bad, with flashes of brilliance. That’s what it always has been, which will be shocking news to those who watch only “best of” DVDs, or seek out selected clips on the internet.

A lot of the comedy on SNL should be experimental, and as such, much of it probably will miss the mark. It’s when the show doesn’t try that it really deserves to be criticized. It should be swinging for the fences, which often means a high strikeout percentage, but the home runs stay in our memories forever.

Which brings us to the debut of the 38th season of SNL, which occurred this past weekend on NBC and Global. With Seth MacFarlane serving as host, were there any home runs?

Well, SNL is at its best when it’s daring, and the most daring moment came during Weekend Update. Anchorman Seth Meyers referenced the film Innocence of Muslims, which has caused violent and deadly protests in the Middle East.

With a picture of a riot in the background, Meyers said, “This week the new film Innocence of Muslims was released, and so far, the reviews are not great. You guys know YouTube has a comments section, right?”

There were some nervous, uncomfortable murmurs from the live audience. But those almost always are a good sign, if you ask me.

The ballyhooed new blood never got flowing. With the likes of Kristen Wiig, Andy Samberg and Abby Elliott gone this season, rookies Aidy Bryant, Tim Robinson, Cecily Strong and Kate McKinnon virtually were invisible.

High points included Vanessa Bayer’s Honey Boo Boo, MacFarlane’s Ryan Lochte (pictured above left, with Meyers at right) and a cameo appearance by Korean rapper Psy, who probably got the biggest cheer of the night.

The musical guest was Frank Ocean, who was wearing a hockey-style sweater that looked as if it had been purchased in a casino gift shop. John Mayer played guitar for Ocean.

Significantly as the U.S. plods toward a presidential election, all the moaning that people used to do about Fred Armisen’s Barack Obama impersonation finally can stop. Cast member Jay Pharoah is the new Obama, with Jason Sudeikis back as Mitt Romney.

You knew SNL would have to reference the infamous Clint Eastwood performance talking to a chair at the Republican National Convention, and it did so with a pre-taped bit. Bill Hader played Eastwood in an ad promoting Eastwood’s tour with the chair, with the tag line, “No script, no set tour dates, no predetermined theatres.”

Hey, didn’t Charlie Sheen do that already?

Overall, the return of SNL can be described as steady. It was an okay start, provided your expectations are properly aligned.

bill.harris@sunmedia.ca

@billharris_tv

Clint Eastwood and chair, the newbies nowhere; review of SNL 38th-season debut

- September 16th, 2012

Frank Ocean, Seth MacFarlane, Fred Armisen

The new blood on Saturday Night Live never really got flowing as the 38th season began with a reasonably clot-free episode Saturday night on NBC and Global.

Host Seth MacFarlane served as an able utility player in a series of skits that had good energy, which is a key consideration on SNL. Notably, for a guy with basically normal hair, MacFarlane had more wig changes than Lady Gaga in concert, for some unknown reason.

But with the likes of Kristen Wiig, Andy Samberg and Abby Elliott gone from SNL this season, new featured players Aidy Bryant, Tim Robinson, Cecily Strong and Kate McKinnon virtually were invisible. The only extended contribution came from Strong, playing a Dominican voter with a bad accent in a Weekend Update segment that never quite took off.

The most edgy line during Weekend Update surfaced when anchorman Seth Meyers referenced the film Innocence of Muslims, which has caused violent and deadly protests in the Middle East. With a picture of a riot in the background, Meyers said, “This week the new film Innocence of Muslims was released, and so far, the reviews are not great. You guys know YouTube has a comments section, right?”

SNL leaned heavily on returning cast member Bill Hader early in the show, and heavily on returning cast member Kenan Thompson later in the show.

You knew SNL would have to reference the infamous Clint Eastwood performance talking to a chair at the Republican National Convention, and it did so with a pre-taped bit. Hader played Eastwood in an ad promoting Eastwood’s tour with the chair, with the tag line, “No script; no set tour dates; no predetermined theatres.”

Hey, didn’t Charlie Sheen do that already?

High points included Vanessa Bayer’s Honey Boo Boo, MacFarlane’s Ryan Lochte and a cameo appearance by Korean rapper Psy, who probably got the biggest cheer of the night.

The musical guest was Frank Ocean, who was wearing a sweater that looked as if it had been purchased in a casino gift shop (that’s him, and it, at far left in the above photo, with MacFarlane in the middle and Fred Armisen at right). John Mayer played guitar for Ocean.

Speaking of Armisen, as the U.S. plods toward a presidential election, all the moaning that people used to do about Armisen’s Barack Obama impersonation finally can stop. Cast member Jay Pharoah is the new Obama, with Jason Sudeikis back as Mitt Romney.

Pharoah’s Obama posed a question to America: “Stick with what’s been barely working, or take your chances with that.”

The “that” referred to Romney. But the jab had unexpected resonance on an evening when Saturday Night Live leaned heavily on its veterans and left the newbies to dream of future glories.

bill.harris@sunmedia.ca

@billharris_tv