Host Arisa Cox keen to bring some sporty spice to Big Brother Canada

- February 22nd, 2013

Arisa Cox - inside

Arisa Cox, sports reporter.

Okay, not literally.

But in her role as host of Big Brother Canada, which debuts Wednesday, Feb. 27 on Slice and Global, Cox will have to call upon some sports-reporting skills.

Think about it: Cox (pictured above) will be the one doing the exit interviews when contestants are booted from the Big Brother Canada house. It’s as if they’re athletes who have just lost the big game and have to face the media.

“That’s a perfect analogy, actually,” Cox said. “Because they’ve still got that adrenalin running through their systems.

And a lot of times when people are evicted from the house, they didn’t see it coming. For a viewer, those are the best evictions, for sure. But a lot of the contestants are really blindsided when it happens.

“So just like an athlete, they’re coming out of this extremely stressful situation. They’re already so overwhelmed from being in this surreal life experience, and then they pop out, and there’s a huge live studio audience, and cameras, and I’m there.”

That’s when Cox will have to be at her best, gauging what approach to take to get the most out of her interview subjects.

“There are millions of things going through their heads, but it’s a really good time to get at some of the meat of the drama that has happened in the house,” Cox said. “So I’m really excited to do those exit interviews.”

Cox described the Big Brother Canada hosting gig as the “perfect job” for her. It gives her an opportunity to call upon many of the things she has learned through her career, both on-camera and behind the scenes.

I think having come from a reality-show background myself (Cox was a house-guest in the first season of Canadian reality show The Lofters back in 2001), and before that journalism, I feel that you have to come at this with a fair amount of levity, because it is, of course, entertainment,” Cox said. “But at the same time, you do have to bring a certain amount of gravitas to it, because it is serious for the people in the house.

I think what I’m bringing to the table is a certain amount of empathy. Sympathy is not the right word, because I don’t feel sorry for anyone on this show. They’ve all volunteered with their eyes wide open, the (U.S. version) has been on TV, they know what they’re getting into. But that said, the second they’re in that house, and the applause has died down, and there’s nothing to do but talk and be with other people and interact, it becomes really real and a little bit scary.

“So I definitely have empathy for the people and what they’re going to be going through, because audience members get the wrong idea that it’s easy. It’s a hard, hard thing these guys are going to do.”

As hard as trying to win the Stanley Cup or the Grey Cup or the Super Bowl or the World Series?

Well, the reporting side of it is very similar. But at least Big Brother Canada host Arisa Cox won’t have to venture into a sweaty locker room.

* Want to know who the Big Brother Canada contestants are? Click here. *

Bill.harris@sunmedia.ca

@billharris_tv

CTV hopes to “Motive-ate” viewers with post-Super Bowl premiere

- January 29th, 2013

Kristin Lehman as Detective Angie Flynn in Motive

The Motive is the message.

But how will the message be received by a viewing public that claims it wants something new, yet often sticks with the tried and true?

That’s the challenge for the Canadian series Motive, which debuts Sunday, Feb. 3, in the plum time slot following the Super Bowl on CTV.

Through the years we all have seen enough police procedurals – the CSI franchise, the Law & Order franchise, etc. – to understand the basic format. But Motive takes that dramatic model and twists it.

In each episode of Motive, viewers are told fairly quickly who “the killer” is and who “the victim” is. What we don’t know is “why?”

How are the killer and the victim connected? What were the circumstances that led the former to murder the latter?

That’s where Vancouver homicide Detective Angie Flynn, played by Kristin Lehman, enters the fray.

Angie and her team – Detective Oscar Vega (played by Louis Ferreira), Detective Brian Lucas (played by Brendan Penny), Staff Sergeant Boyd Bloom (played by Roger Cross) and Dr. Betty Rogers (played by Lauren Holly) – spend each episode piecing together what happened. Therefore, until the very end, the team always is more “in the dark” than the audience, which already knows who committed the crime.

The first episode of Motive focuses on a creepy, picked-upon high school kid in a marching band (do Canadian high schools even have those? Isn’t that an American thing?).

When we first see the victim, an adult, he’s singing in a karaoke bar. The connection between the two, and the reasons for what occurs, certainly can’t be predicted or foreseen at first blush, so that’s a good thing.

I had a few different reactions to the debut episode of Motive.

First, it looks great. The production values are top-notch.

And I did like the two leads, Lehman and Ferreira. Lehman has kind of a Marg Helgenberger thing goin’ on, while veteran Ferreira is good in everything he does (including a recent guest spot on AMC’s Breaking Bad). However, I hope it’s not a pattern moving forward that Oscar thinks everyone is guilty and Angie thinks everyone is innocent.

Cinematography and characters aside, Motive‘s format can be disorienting when it comes to sustained attention.

I was interested in the first 10 minutes. I was interested in the last 10 minutes. But that left 20 minutes in the middle where I kind of drifted away, since I already knew who the killer was. It felt like there was some padding going on, and I’m not at all interested in the side story about Angie’s troubled teen.

Those middle 20 minutes also jump around in time, because much of the story has to be told through flashbacks. It never was confusing, that would be overstating it. But it can be a tad dizzying if you’re not right on top of it, which, as I stated earlier, is an issue.

Kudos to Motive for trying something new. A straight-forward police procedural in 2013 would seem at least five years behind the times.

What we’re about to find out is whether the world is open to a police procedural that doesn’t follow procedure.

bill.harris@sunmedia.ca

@billharris_tv